LOST: Episode 6.11

Happily Ever After

There's always a choice, brutha.

~Desmond

And now we have a show, people! This was the first episode this season that directly (somewhat) addressed the nature of the "flash-sideways" (an expression widely used around the internets, but one I don't really care for), giving us some clues as to what it could all mean. As with just about all Desmond episodes, this one was one of their best, right up there with my all time favorite, The Constant. And so far, I think it's the best of the season.

Yes, I am biased, but that doesn't mean I'm not also right.

Here's what happened:

Widmore brought Desmond back to the Island against his will because somehow, Desmond's ability to survive exposure to massive amounts of elecrtomagnetism (EM for short) make him the key player in setting things to rights. But first, Widmore needs to verify Desmond's EM-immunity, so he tosses him in a big box and turns up the juice. In a familiar flash of white - remember the same flash when Desmond turned the failsafe key and when Juliette set off the bomb? - we cut to the alt-timeline, where Desmond has just gotten off Oceanic Flight 815.

As it turns out, in the alt-timeline Desmond is not with Penny - doesn't even know her, in fact - but he does work for Widmore. He's his right hand man, who in Widmore's eyes can do no wrong. Just what Desmond always wanted, apparently. Widmore sends Desmond on errand that involves someone named Cholly, who is walking around in a weirdly serene, fairly smug state since nearly choking to death on that bag of heroin. Des has been charged with delivering Charlie to Widmore's harpy-of-a-wife's charity benefit. Widmore's wife is Eloise Hawking.

Charlie tells Desmond that none of "this" is real, that he got a glimpse of the true reality when he nearly died and was in a different state of consciousness and saw a blonde woman he realized was his soulmate (Claire). To prove his theory to Desmond, he forces their car off the road and into the waters of the harbor. With the car submerged, Desmond tries to save Charlie; as Des tries to open the door, Charlie puts his hand up on the car window - that's when the two timelines smash together, I gasp out loud, and Desmond has a vision of the scene from "Through the Looking Glass", where Charlie wrote the message "Not Penny's Boat" on his hand and then drowned in front of Desmond's eyes.

At the hospital, Desmond is ordered to undergo an MRI to make sure his brains aren't scrambled (too late!), but being doused with all of that magnetic energy opens the flood gates of Desmond's unconscious mind and images of his true timeline, his life with Penny, come rushing in. Desmond tries to get answers from Charlie, but he totally bags on him.

Desmond warily tells Eloise that he was unable to get Charlie to the benefit and is surprised when she does not castrate him there on the spot, as he fully expected her to; instead she smiles and says "no problem" and sends him on his way. For now. When Desmond overhears Penny's name as he's walking away and starts asking questions, the claws come out. Eloise tells him to "stop talking" and stop looking for whatever it is he's looking for; she tells him that someone has obviously changed the way he sees things, and that is a "violation". Hmm. Before sending him away, she tells Desmond, "You're not ready yet."

As he's about to leave, someone knocks on Desmond's limo window. It's alt-Daniel (Faraday) Widmore, who in the alt-timeline is still Eloise and Widmore's son, but is not a theoretical physicist. He's a musician who, after seeing alt-Charlotte and falling in love instantly, begins writing complex notes/equations in his journal. He tells Desmond that he thinks that he may have done something that created an alternate life (the alt-timeline) that they are not supposed to be leading. He tells Desmond that Penny is his half-sister and he knows where she is. (How sad is it that in his "true" life, Daniel dies so tragically?)

Desmond finds Penny running at the same stadium where he first met Jack. They meet and have crazy instant chemistry together and when Penny's hand touches his, Desmond's consciousness zooms back to the present Island time, where he's lying on the floor of the EM box. A calm has come over him and he tells Widmore that he is ready to help. As Des walks through the jungle with Zoe and a couple of red shirts, Sayid attacks, kills the red shirts and sends Zoe away. Aw, even as a zombie Sayid is a gentleman. Sayid tells Desmond that Widmore's guys are bad news and he must leave with him, and Desmond's so zen that he's like, "yeah, cool, let's go." But there's something else behind his eyes.

Then we're back in the alt-timeline, post-Penny meeting, and I don't think I've ever seen Desmond so happy, and at peace. He asks his driver (Minkowski!) if he can get him the manifest of Flight 815. Minkowski says yeah, but why? Desmond says he needs to "show them something." (Them being the passengers who are still alive and still on the Island - the candidates - I presume)

I found it very interesting that we weren't shown some sort of catalyst for the final scene in the alt-timeline. His consciousness was sent there when he got blasted by the EM energy, and then his consciousness returned after he made contact with Penny, who is his constant. But what propelled him back to the the alt-timeline? There was no white flash shown before that final scene. What I'm thinking, is that Desmond's consciousness, after exposure to the high EM levels, is now existing in both timelines.

We still don't know exactly what the alt-timeline IS, but we do know what it ISN'T: According to Charlie, "none of it matters" and isn't real, and according to Daniel, he "isn't supposed to live this life". I think whatever it is, the alt-timeline is not a naturally occurring event but something that was created by someone. Eloise knows who and is playing the same part she did in "Flashes Before Your Eyes": steering Desmond in a certain direction, and away from Penny, his constant.

I am really looking forward to seeing how Desmond is going to open the others' eyes and show them that the life they are living isn't the one they were supposed to live. I think that there is a part of all of their consciousnesses that understands that there's something "off" (mirror scenes). And I think that in the end, they will all be presented with a choice between the two realities. And I think I'm going to be doing a lot of crying.